Ode a la Musique

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Ode à la Musique (1961) for Baritone, 4-part mixed chorus, trumpet, two horns, three trombones, piano and double bass Frank Martin (1890-1974) Frank Martin was born in Geneva, Switzerland, on 15September 1890. He was the tenth and youngest child of a...

Modell/Varunr.: BA6725A
Lagerstatus: Specialvara, print on demand, kommande, restorder – skickas normalt inom 3–6 veckor (reservation för utgången vara)
Produkter i paketet:
Lagerstatus: Specialvara, print on demand, kommande, restorder – skickas normalt inom 3–6 veckor (reservation för utgången vara)

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Ode à la Musique (1961)
for Baritone, 4-part mixed chorus, trumpet, two horns, three trombones, piano and double bass


Frank Martin (1890-1974)

Frank Martin was born in Geneva, Switzerland, on 15September 1890. He was the tenth and youngest child of a clergyman’s family. He played and improvised on the piano even before he went to school.

By the age of nine he had composed charming children’s songs thatwere perfectly balanced without ever having been taught musical forms or harmony. A performance of Bach’s St. Matthew Passion, heard at the age of twelve, left a lasting impression on the composer, for whom J.S. Bachremainedthe true master.

He attended classical languages high school and, to please his parents, went on to study mathematics and physics at the University of Geneva for two years. Simultaneously he started studying piano andcomposition with Joseph Lauber, who initiated him in the “craft”, especially in instrumentation. Between 1918 and 1926 Frank Martin lived in Zurich, Rome and Paris, working on his own, searching for a personal musicallanguage.

In 1926 he founded the “Société de Musique de Chambre de Genève” which he led as pianist and harpsichord player for ten years. He taught improvisation and theory of rhythm at the“Institut Jacques-Dalcroze” and chamber music at the Geneva Conservatory of Music. He was artistic director of the “Technicum Moderne de Musique” from 1933 to 1940 and president of the Swiss Association ofMusicians between 1942 and 1946.

In 1932 he became interested in the 12-tone technique of Arnold Schönberg. He incorporated certain elements into his own musical language, creating a synthesis of the chromatic andtwelve-tone techniques, without however abandoning the sense of tone – that is, the hierarchical relations between notes. Le Vin Herbé (1941) was the first important work in which he completely mastered this verypersonal idiom. Together with the Petite Symphonie Concertante (1944-45) it established his international reputation.

Martin’s many musical activities in Switzerland interfered with the peace and

Instrument SATB
Sidor 29
Media Noter
Bidragsgivare Martin, Frank(Composer) Martin, Frank(Arranger)
Språk French
ISMN 9790006482177