In 1908, fourteen years after composing the Prélude à l'Après-midi d'un faune, Claude Debussy completed the piano suite, Children’s Corner, which was dedicated to his daughter “Chouchou.” The sixth and final movement, Golliwogg’s Cakewalk, is a delightfully clever miniature that demonstrates Debussy’s recognition of two major trends in late nineteenth century music: the innovative ragtime rhythms of American culture, and a "tribute" to Richard Wagner by including a quotation from the famous opera, Tristan and Isolde.In 1908, fourteen years after composing the Prélude à l'Après-midi d'un faune, Claude Debussy completed the piano suite, Children’s Corner, which was dedicated to his daughter “Chouchou.” The sixth and final movement, Golliwogg’s Cakewalk, is a delightfully clever miniature that demonstrates Debussy’s recognition of two major trends in late nineteenth century music: the innovative ragtime rhythms of American culture, and a "tribute" to Richard Wagner by including a quotation from the famous opera, Tristan and Isolde.
| Instrument | Ensemble, Flöjt |
| Typ (fx Lärobok, samling m.m.) | Partitur og stämmor |
| Media | Noter |
| Bidragsgivare | Debussy, Claude(Composer) Nourse, Nancy(Arranger) |
| ISMN | 9790302117414 |