What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever the reason behind it, Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments, Beethoven had no difficulty in finding a publisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (op. 41 - our HN 934), which had been made by a third party.
| Instrument | Fiol, Flöjt, Viola |
| Genre (Fx Pop, Rock, Barn m.m.) | Klassisk |
| Typ (fx Lärobok, samling m.m.) | Stämmor |
| Sidor | 32 |
| Media | Noter |
| Publisher/Producent | Henle Verlag |
| Bidragsgivare | Beethoven, Ludwig Van (Composer) Voss, Egon (Editor) |
| Språk | Engelska, Tysk |
| ISMN | M201803708 |