When it comes to paying tribute to Heinrich Schütz’s compositional achievement, in his art his treatment of the text and language must be mentioned first. The Geistliche Chor-Music 1648, a collection of 29 motets for five to seven voices and one of his most important works, is characterized by he carefully thought-out musical realization of the meaning of the text. In his detailed foreword to the collection the composer presented these as models for composition without a basso continuo it was his conviction that very young composer should obtain the properfoundation for a good counterpoint. Despite the strict counterpoint, stylistically speaking from an earlier era, theMusicus poeticus imbued his workswith a strongly expressive character. The individual motets are structured differently and they differ - according to content - in their length and character. Short, rather straightforward pieces stand alongside long, worked-out pieces with greater expressive intensity, and cheerful, optimistic works are juxtaposed with plaintive ones. Separate editions available.
| Instrument | Sang |
| Genre (Fx Pop, Rock, Barn m.m.) | Middelalder |
| Sidor | 344 |
| Bidragsgivare | Gabrieli, Andrea(Composer) Heinemann, Michael(Artist) |
| Språk | Engelska, Tysk |
| ISMN | 9790007167561 |