Anika Nilles Pad Book (International Ed.) : Fundamental workouts

If you don’t have access to your drums regularly, travel a lot, or have neighbors with sensitive ears, you will already have a PRACTICE PAD. But practicing without a drum kit is special! To keep your hands agile and dive deeper into EFFECTIVE METHODS that really improve your pad technique, ANIKA NILLES‘ PAD BOOK is JUST THE THING! Anika gives plenty of options WHAT AND HOW to practice on a pad. The FUNDAMENTAL WORKOUTS are allocated to four chapters: Subdivision Studies, Mixed Meters, Hand Independence, and Polyrhythms. The result is a complete system with triplets, 16th notes, quintuplets, sextuplets and septuplets, which are broken down into individual stepsstarting with a very basic layout before moving to more complex rhythms. The deeper meaning underpinning Anika’s ideas is always how to be MORE CREATIVE. It is about working on your weaknesses, developing new ideas and rhythms for yourself, or simply looking at familiar things from a different perspective. Back on the DRUM KIT you will fi nd that you can focus on more specifi c, musically relevant topics such as sound, orchestration, and dynamics, since the hands, body, and mind have already internalized the basics practiced on the pad. JUST FUNDAMENTAL! If you don’t have access to your drums regularly, travel a lot, or have neighbors with sensitive ears, you will already have a PRACTICE PAD. But practicing without a drum kit is special! To keep your hands agile and dive deeper into EFFECTIVE METHODS that really improve your pad technique, ANIKA NILLES‘ PAD BOOK is JUST THE THING! Anika gives plenty of options WHAT AND HOW to practice on a pad. The FUNDAMENTAL WORKOUTS are allocated to four chapters: Subdivision Studies, Mixed Meters, Hand Independence, and Polyrhythms. The result is a complete system with triplets, 16th notes, quintuplets, sextuplets and septuplets, which are broken down into individual stepsstarting with a very basic layout before moving to more complex rhythms. The deeper meaning underpinning Anika’s ideas is always how to be MORE CREATIVE. It is about working on your weaknesses, developing new ideas and rhythms for yourself, or simply looking at familiar things from a different perspective. Back on the DRUM KIT you will fi nd that you can focus on more specifi c, musically relevant topics such as sound, orchestration, and dynamics, since the hands, body, and mind have already internalized the basics practiced on the pad. JUST FUNDAMENTAL!